The Songs Lennon and McCartney Gave Away

The Songs Lennon and McCartney Gave Away

The Songs Lennon and McCartney Gave Away
Compilation album by Various artists
Released 1971
18 April 1979 (reissue)
Recorded 1963–1969 (reissue includes one track recorded in 1973)
Genre Various
Length 46:42
Language English
Label MFP
EMI NUT 18 (reissue)
Producer Various

The Songs Lennon and McCartney Gave Away was a conceptual compilation album containing the original artist recordings of songs composed by John Lennon and Paul McCartney in the 1960s that they had elected not to release as Beatles songs. The original album was released in the UK on EMI's mid-price Music for Pleasure label in 1971.

The album was reissued by EMI in 1979 with a 1973 Ringo Starr track added.


  • Background 1
  • The 1979 reissue 2
    • "Penina" 2.1
  • Artwork 3
  • See also 4
  • References 5


Lennon and McCartney started writing songs together in the late 1950s and by 1963 were prolific composers who wrote songs for the Beatles and also for other artists.[1][2][3][4][5] There were broadly three categories of Lennon–McCartney songs that were not released by the Beatles:

  • Recordings by the Beatles of Lennon–McCartney songs that the group ultimately decided not to release.
  • Lennon–McCartney songs that the Beatles deemed unsuitable for the group at the outset and did not even attempt to record themselves.
  • Songs that had been intentionally written for other artists.

In the earliest days of their songwriting partnership, Lennon and McCartney expressed a desire to emulate the success of composing duos such as Goffin & King and Leiber & Stoller in having their compositions recorded by other artists, so this was an aspect of the songwriting craft that they were interested in pursuing.

With the encouragement of the Beatles' manager Brian Epstein, they supplied some of their songs deemed unsuitable for the Beatles to fellow artists, several of whom were also managed by Epstein and were friends with Lennon and McCartney. Once the Beatles' initial success in early-mid 1963 mushroomed into a phenomenon, there was great interest in songs written by the Beatles "in-house" writing duo. Artists began clamouring to secure original Lennon–McCartney songs knowing that there would automatically be media and public interest in such songs.

The quality of the songs and the subsequent commercial success of such songs added to the demand by artists for even more compositions.

In 1970, music writer Martin Lewis, who in 1967 had compiled the discography for Hunter Davies' authorised biography of the Beatles,[6][7] proposed that EMI should release a compilation album based on the section of his Beatles discography that focused on these songs. EMI accepted the proposal and the album compiled by Lewis was released by EMI's Music For Pleasure label in 1971. All of the songs on the album were recorded in the 1960s while the Beatles were still active, and all of the tracks had been released as singles.

The 1979 reissue

The 1979 reissue was essentially the original 1971 album with the addition of "I'm the Greatest", a Ringo Starr album track written for him by John Lennon in 1973; this was at variance from the original concept of the album being only songs written by Lennon/McCartney, and recorded and released as singles during the active Beatles years in the 1960s.

Side one
No. Title Writer(s) Artist(s) Length
1. "I'm the Greatest" (1973) John Lennon Ringo Starr 3:23
2. "One and One Is Two" (1964) Lennon–McCartney The Strangers with Mike Shannon 2:11
3. "From a Window" (1964) Lennon–McCartney Billy J. Kramer with the Dakotas 1:58
4. "Nobody I Know" (1964) Lennon–McCartney Peter and Gordon 2:29
5. "Like Dreamers Do" (1964) Lennon–McCartney The Applejacks 2:31
6. "I'll Keep You Satisfied" (1963) Lennon–McCartney Billy J. Kramer with the Dakotas 2:05
7. "Love of the Loved" (1963) Lennon–McCartney Cilla Black 2:02
8. "Woman" (1966) Bernard Webb Peter and Gordon 2:26
9. "Tip of My Tongue" (1963) Lennon–McCartney Tommy Quickly 2:06
10. "I'm in Love" (1963) Lennon–McCartney The Fourmost 2:08
Side two
No. Title Writer(s) Artist(s) Length
1. "Hello Little Girl" (1963) Lennon–McCartney The Fourmost 1:51
2. "That Means a Lot" (1965) Lennon–McCartney P.J. Proby 2:33
3. "It's for You" (1964) Lennon–McCartney Cilla Black 2:21
4. "Penina" (1969) Paul McCartney Carlos Mendes 2:36
5. "Step Inside Love" (1968) Lennon–McCartney Cilla Black 2:21
6. "A World Without Love" (1964) Lennon–McCartney Peter and Gordon 2:38
7. "Bad to Me" (1963) Lennon–McCartney Billy J. Kramer with the Dakotas 2:18
8. "I Don't Want to See You Again" (1964) Lennon–McCartney Peter and Gordon 1:59
9. "I'll Be on My Way" (1963) McCartney–Lennon Billy J. Kramer with the Dakotas 1:40
10. "Catcall" (1967) Paul McCartney The Chris Barber Band 3:04


"Penina" was written by McCartney at the Hotel Penina in December 1968, when he was vacationing in the Portuguese region of the Algarve. The song was first recorded by the hotel's band Jotta Herre, but a month later it was also recorded by the singer Carlos Mendes, a member of the Portuguese group the Sheiks until 1967.[8]


McCartney's profile in the artwork for the front cover reused a portion of the illustration from the Beatles' album Revolver, and Lennon's profile is a drawing that duplicated the back-cover photograph from his album Imagine.

See also


  1. ^ Hunter Davies (1985). The Beatles (Second Edition). McGraw Hill. "John and Paul wrote about a hundred songs together in that first year [1958]." (p. 57)
  2. ^
  3. ^ Sheff, David (2000). All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono. New York: St. Martin's Press. ISBN 0-312-25464-4. p. 214
  4. ^ Unterberger, Richie. The unreleased Beatles: music & film. Hal Leonard Corp., 2006, ISBN 978-0-87930-892-6, p. 5-6
  5. ^ Spitz, Bob (2005). The Beatles: The Biography. Little, Brown and Company. ISBN 0-316-80352-9
  6. ^
  7. ^
  8. ^ Covers of the two "Penina" versions