Tony Barrow

Tony Barrow

Tony Barrow
Born 1936
Crosby, Lancashire, England
Nationality British
Occupation Press officer
Known for Work with The Beatles
Coining the phrase "The Fab Four"

Tony Barrow (born in Crosby, Lancashire, England, 1936)[1] is an English press officer who worked with the Beatles between 1962 and 1968.[2] He coined the phrase "The Fab Four", first using it in an early press release.[3]


  • Life 1
    • Early life 1.1
    • Decca 1.2
    • NEMS 1.3
    • After The Beatles 1.4
  • Books 2
  • References 3


Early life

While in the late 1950s when teenagers John Lennon and Paul McCartney were putting together their earliest group in one part of the city, Tony Barrow was presenting jazz bands and skiffle/folk groups at local dance halls and clubs across town in the south Lancashire suburb of Crosby. Educated locally at Merchant Taylors School[4] he then studied languages at Durham University. In 1954, when he was still a 17-year-old sixth form schoolboy, he landed his first regular freelance writing job as pop/rock record reviewer for the Liverpool Echo, the largest-selling provincial evening newspaper in the UK.


At the beginning of the 1960s, while the Beatles paid their dues in the Hamburg clubs, Barrow moved from Crosby to London to work for the Decca Record Company where he wrote the liner notes that appeared on the back of LP album covers. From his new London base he continued to contribute his weekly record column to the Liverpool Echo[5] and when Liverpool record retailer Brian Epstein signed the Beatles to a management deal at the end of 1961 he contacted Barrow for professional advice. In a 1968 interview,[6] Barrow recounted that Epstein asked him to write a column about the band. Barrow then arranged to get the Beatles an audition with Decca, who rejected them.[7] This led to an informal arrangement whereby Barrow became the Beatles' part-time press/publicity consultant which involved promoting the launch of the new EMI band from behind a desk at rival London record company Decca. His earliest task for Epstein was to co-ordinate a media publicity campaign to surround the release of the group's first UK single, "Love Me Do", on EMI's Parlophone label in October 1962. He was paid a one-off freelance fee of around 50 US dollars to compile The Beatles' initial press kit.


When Epstein promised to double his Decca salary, Barrow left the record company to join Epstein's new artists' management company, NEMS Enterprises, on a full-time basis in May 1963. Barrow opened Epstein's first London office and as head of the Press and Public Relations Division, began to promote the careers of not only The Fab Four but also Epstein's other artists from Cilla Black to Gerry & The Pacemakers, from Billy J Kramer with the Dakotas to The Fourmost. In view of his previous employment as a liner-note writer with Decca, it was taken for granted that he would do the same job for The Beatles and Epstein's other acts.

Barrow saw Beatlemania as beginning with the band's appearance on The London Palladium Show on 13 October 1963, at which point he no longer had to contact the press but had the press contacting him instead.[7]

It was Barrow's idea to give out Beatles Christmas greetings to their fan club members.[4] Barrow thought this goodwill gesture might limit the damage done to the group's reputation by delays in replying to an ever-increasing volume of fan mail. The Beatles were three weeks behind in answering membership applications. At the time he said facetiously that he thought of how

  1. ^ a b "› Alumni News and Updates › Old Boy Tony Barrow - Press Officer to the Fab Four". 
  2. ^ "Tony Barrow on Beatles Audition Tape". Retrieved 18 January 2008. 
  3. ^ Barrow, Tony (2006). John, Paul, George, Ringo & me: the real Beatles story.  
  4. ^ a b "Tony Barrow: Beatles PR Man". 
  5. ^ "TONY BARROW". Retrieved 18 January 2008. 
  6. ^  
  7. ^ a b Tony Barrow interviewed on the Pop Chronicles (1969)
  8. ^ "Beatles Christmas messages". Retrieved 20 January 2008. 
  9. ^ a b inauthor:Tony inauthor:Barrow. Retrieved 26 January 2008. 


  • The Making of the Beatles' Magical Mystery Tour (1999) ISBN 0-7119-7575-2[9]
  • John, Paul, George, Ringo and Me: The Real Beatles Story (2006) ISBN 1-56025-882-9[9]


By 2007, he had become the last surviving professional writer from The Fab Four's original inner circle of business aides and associates and was continuing to take on selected writing and broadcasting assignments including (inevitably) some directly linked to his uniquely memorable years with The Beatles.

In 1980, partly because he disliked the unsavory images portrayed by the era's new wave of

When The Beatles set up their own self-management operation, Apple Corps, in 1968, the year after Brian Epstein's death, Barrow's job as The Fab Four's publicist came to its natural end. He left NEMS Enterprises to set up his own independent show business PR consultancy, Tony Barrow International.[1] Headquartered in London's Mayfair district, TBI and its sister company, Tony Barrow Management, represented many of Britain's top entertainers and recording stars in the 1970s (including the Kinks, the Bay City Rollers, the New Seekers, Bob Monkhouse) and an equally awesome list of bill-topping American artists (including David Cassidy, Gladys Knight, David Soul, the Monkees, Tony Bennett, the Jackson Five, Andy Williams, Neil Sedaka) for their European tours.

After The Beatles

In 1965 and 1966 Tony Barrow travelled around the globe with Ringo Starr on The Beatles' biggest, most lucrative and most dangerous international concert tours, conducting their massive daily press conferences wherever they were on the road, accompanying them on their very private "summit of the giants" meeting with Elvis Presley at his home in Bel Air, California, and setting up The Fab Four's media interviews and photo shoots when they returned home. One of Barrow's final tasks as the Beatles' Press Officer was to compile and edit the strip-cartoon story booklet which was part of the "Magical Mystery Tour" recording package at the end of 1967.

What started as a one-off damage limitation job grew into an eagerly anticipated annual event. [8]