Truth and Method
|Original title||Wahrheit und Methode|
Truth and Method (
- Truth and Method, 2nd edn, Sheed and Ward, London 1989, XXVIII
Truth and Method is regarded as Gadamer's magnum opus, and has influenced many philosophers and sociologists, notably Jürgen Habermas. Gadamer's hermeneutic has been influential on translation scholars such as Antoine Berman.
Truth and Method was published twice in English, and the revised edition is now considered authoritative. The German-language edition of Gadamer's Collected Works includes a volume in which Gadamer elaborates his argument and discusses the critical response to the book. Finally, Gadamer's essay on Paul Celan (entitled "Who Am I and Who Are You?") has been considered by many—including Heidegger and Gadamer himself—as a "second volume" or continuation of the argument in Truth and Method.
In contrast to both of these positions, Gadamer argued that people have a 'historically effected consciousness' (wirkungsgeschichtliches Bewußtsein) and that they are embedded in the particular history and culture that shaped them. Thus interpreting a text involves a fusion of horizons (Horizontverschmelzung) where the scholar finds the ways that the text's history articulates with their own background. Truth and Method is not meant to be a programmatic statement about a new 'hermeneutic' method of interpreting texts. Gadamer intended Truth and Method to be a description of what we always do when we interpret things (even if we do not know it): "My real concern was and is philosophic: not what we do or what we ought to do, but what happens to us over and above our wanting and doing".
Gadamer's philosophical project, as explained in Truth and Method, was to elaborate on the concept of "philosophical hermeneutics", which Martin Heidegger initiated but never dealt with at length. Gadamer's goal was to uncover the nature of human understanding. In the book Gadamer argued that "truth" and "method" were at odds with one another. He was critical of two approaches to the human sciences (Geisteswissenschaften). On the one hand, he was critical of modern approaches to humanities that modelled themselves on the natural sciences (and thus on rigorous scientific methods). On the other hand, he took issue with the traditional German approach to the humanities, represented for instance by Friedrich Schleiermacher and Dilthey, which believed that correctly interpreting a text meant recovering the original intention of the author who wrote it.
Gadamer draws heavily on the work of Wilhelm Dilthey, and Romantic hermeneutics. He rejects as unachievable the goal of objectivity, and instead suggests that meaning is created through intersubjective communication.
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